POP Power from Warhol to Koons: Masterworks from the Collections of Jordan D. Schnitzer and His Family Foundation

October 2, 2020 Through January 24, 2021

From Campbell’s Soup to Mickey Mouse, and from comic strips to balloon dogs, POP Power from Warhol to Koons celebrates the evolution of Pop art, a perennial movement that revels in the new and the now, the celebrity and the commodity, and art made accessible for all. 

Spanning half a century, POP Power from Warhol to Koons: Masterworks from the Collections of Jordan D. Schnitzer and His Family Foundation expands beyond the ordinary exhibition of Pop art – now a historical movement of the 1960s – and explores the work of Pop artists, such as leaders Andy Warhol and Roy Lichtenstein, next to that of their present-day, Neo-Pop heirs, including powerhouses such as Jeff Koons and Damien Hirst.

Indeed, with the creations of Koons and Hirst fetching some of the world’s highest auction prices for works by living artists, the aesthetics and approaches of Pop art have demonstrated a unique adaptability and staying power, in contrast to other major post-World War II movements like Abstract Expressionism or Minimalism.

While Pop art was an international phenomenon, it consolidated and flourished most strongly in the United States in the 1960s, particularly in the work of New York-based artists like Warhol and Lichtenstein. For this reason POP Power focuses principally upon Americans of the Pop orbit, yet includes a greater number of international Neo-Pop artists, reflecting the global nature of art and culture in today’s postmodern world.

By exploring Pop and Neo-Pop art together and comparing their similarities and differences, we gain a deeper understanding of their practitioners’ intentions and strategies, as well as the art’s relationship to broader cultural evolutions.

Banner artwork: Roy Lichtenstein, Sweet Dreams Baby!, plate 1 from the Portfolio 11 Pop Artists, Vol. III, edition 54/200 (detail), 1965, screen print. Collection of Jordan D. Schnitzer © Estate of Roy Lichtenstein

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